Guadalajara, México, 1974
Lives and Works in Guadalajara, Mexico.

From the beginning of his career, Jorge Méndez Blake has explored the possible relations between literature and fine arts, and has developed a large body of work with drawings, sound works, sculptures and videos, always referring to the great masters of universal literature, such as William Shakespeare, Jules Verne, Franz Kafka and Jorge Luis Borges, among many others.

In his work, literature becomes a tool that articulates situations, places and objects where each piece is full of theoretical meanings related to one another. The visual results from a dialogue with literature, and create complex works that provide a specific form that occurs only in the realm of imagination and desire.

The artist relates classic literature with contemporary architecture and visual arts to perform installations, drawings and interventions based on the notion of “library,” understood not only as a receptor that accumulates knowledge, but as an object with infinite formal possibilities; an institution whose purpose is the preservation of books and the dissemination of knowledge. The artist sees libraries not as isolated buildings, but as constructions that hold inexhaustible sources of information, and are thus able to create microsystems that address specific issues such as landscape or love.

Méndez Blake’s work oscillates between reality and fiction when merging the architecture of places like the Library François Mitterand in Paris, or the Public Library in Seattle, with landscapes – and fragments – of fantastic literature, to become cultural metaphors which meaning expands to different areas of knowledge.




1992-97 Bachelor Degree on Architecture, Universidad ITESO, Guadalajara, Mexico.

Solo Exhibitions

Paisaje Desmantelado (Haikus de José Juan Tablada) / Dismantled Landscape (José Juan Tablada’s Haikus), Site-specific commissioned artwork, Macallan Art Prize, Bass Museum of Art, Miami Beach, FL, USA.

I Will Defend Poetry, MAI36, Zurich, Switzerland.

Toda letra es la última letra, Travesía Cuatro, Madrid, Spain.
Nos Sentamos, Escuchamos, discutimos, OMR, Mexico City, Mexico.

Dear James, Mai 36 Galerie, Zürich, Switzerland.

Una manaza y una retícula, Travesía Cuatro, Guadalajara, Mexico.
MASIN, Culiacán, Sinaloa, Mexico.

Dismantling Gorostiza, as part of Pacific Standard Time: LA/LA, 1301PE, Los Angeles, USA.
A Message From the Emperor, Marfa contemporary, Marfa, Texas.
Apollinaire’s Misspell and Other Calligrams, Meessen De Clercq, Brussels.

Ventana Poniente, Galería OMR, Mexico City
Nocturnos, Galería Travesía Cuatro, Madrid, España.


Meta Narrativas (Arte, diseño y el desarrollo tecnológico), Galería Andrea Pozzo, Museo Franz Mayer, Mexico City, México.
Projects for a possible Literature, La Kunsthalle, Mulhouse, France.
Taslaciones topográficas de la Biblioteca Nacional, MUAC, Mexico City, Mexico.

HIC ET NUNC Sobre paradojas democráticas, MUCA Roma, México, D.F.
Project for a Park Library, MCA Denver, USA. Curated by Nora Abrams.
Al margen del texto, Travesía Cuatro, Madrid, España.

Nothing is Left to Tell, Messen De Clercq, Brussels, Belgium.

Tutti i libri di Calvino (e altre storie), Museo d’arte Contemporanea Villa Croce, Geneva, Italy.
Ceboruco, Galería OMR, Mexico City, Mexico.
Poems and Monuments, 1301PE, Los Angeles, CA, USA.
All the Borges’ Books, Frame, Frieze, New York City, NY, USA.

Empty Bookshelf, Meessen De Clercq, Brussels, Belgium.
Mallarmé Library, Travesía Cuatro, Madrid, Spain.

The Constructivist Library, Art Positions, Art Basel Miami, FL, USA.
The Red Library, Meessen De Clercq, Brussels, Belgium.
The Marquise Went Out at Five…Jorge Méndez Blake, Museo Rufino Tamayo, Mexico City, Mexico.
All the Poetry Books, Museum of Latin American Art, Los Angeles, CA, USA.

The Borges Library, Present Future Section, Artissima, Turin, Italy.
3 Libraries, Galería OMR, Mexico City, Mexico.
The Wall Library, Project Room, Brussels, Belgium.
Das Kapital, Meessen De Clercq, Brussels, Belgium.

The Exploration Library, Moti Hasson Gallery, New York, NY, USA.
The Castle, Museum of Modern Art, Mexico City, Mexico.

The Castle, Biblioteca José Cornejo Franco, Guadalajara, Mexico.

Fiction is the Beggining of Exile, Galería OMR, Mexico City, Mexico.

Isla Negra’s Treasure, Sala de Arte Público Siqueiros, Mexico City, Mexico.
Unable to Establish Any Contact, José Clemente Orozco’s Studio, Guadalajara, Mexico.
The Characters Interfere With Architecture, Casa Encendida, Madrid, Spain.

Almost Stories (Variations to Build a Text or the Complete Stories, Maybe), Galería OMR, Mexico City, Mexico.

Journey to the Center of the Earth, Arena México Gallery, Guadalajara, Mexico.
Artist Can Write, INTAR Gallery, New York, NY. USA.

Stage, Proyecto Zapopan, Guadalajara, Mexico.

Group Exhibitions

Revert to Type, Fabian Lang, Zurich, Switzerland.
Arte y Arquitectura: Un Diálogo, Centro Botin, Santander, Spain.
Much Without Many
, Meessen De Clercq, Brussels, Belgium.

How The Light Gets In, Herbert F. Johnson Museum of Art, Cornell University,  Ithaca, USA.
1301 @ GBT, Barbara Thumm Galerie, Berlin, Germany.
Who Writes?, Curated by Jo Ying Peng, Galería OMR, Mexico City, Mexico.
Double trouble \ double grins \ is it so with \ twins, Lothringer 13 Halle, München, Germany.
Territorios de la memoria 1985-2019, Museo de Arte Moderno – Mexico City, Mexico.
La construcción de lo posible, XIII Bienal de la Habana, La Habana, Cuba.
Borders, James Cohan, New York City, USA.

The Unwritten Library. After Babel, Annex M Triology, Athens, Greece.
Cycles of Collapsing Progress, Curated by Karina El Heloou in partnership with Anissa Touati, Rashid Karami Fair, Tripoli, Lebanon.
The Unwritten Library. The Last Reader, Annex M Triology, Athens, Greece.

De La Línea Al Movimiento, BlueProject Foundation, Barcelona, Spain..
Lecturas de un territorio fracturado, Museo Amparo, Puebla, Mexico
The Walk, Meessen De Clercq, Brussels, Belgium.
Dimensões varia veis, artistas e arquitetura, MAAT Museum, Portugal.
Fisuras en el trópico. Practicas des los 90’s en el occidente, OPC, Puerto Vallarta, Mexico.
Derniers usage de la littérature, Frac Franche-Comté, France.
Du verbe à la communication, Carré d’art, Nîmes, France.
NGV Triennal, National Gallery of Victoria, Melbourne, Australia.
The Queen Falls, Galería OMR, Mexico City, Mexico.

¿Cómo te voy Olvidar?, Galerie Perrotin, Paris, France.
After Alexandria, the Flood, Proto5533, Istanbul, Turkey.
Overburden, Bard Hessel Museum of Art Bard College, New York, USA.

A.N.T.H.R.O.P.O.C.E.N.E, Meessen De Clercq, Brussels, Belgium
LARA (Latin American Roaming Artist), Museo de Arte Carrillo Gil, Mexico City, Mexico.
By the Book, Sean Kelly Gallery, New York, USA.

Mex Pro Mexico Art Project, Museo Revoltella, Museo Storico del Castello di Miramare, Viale Miramare, Tireste, Italy.
The House, Faggionato, London.
Ilusión Optica, Museo de Arte Moderno, Mexico City, Mexico.
Un lugar en dos dimensiones: una selección de la Colección Jumex+ Fred Sandback, Fundación/ Colección Jumex, Mexico City, Mexico.
Saint Jerome, Messen De Clercq, Brussels, Belggium.

My Third Land, Frankendael Foundation, Amsterdam, Netherlands.
Monkey Business. The Paradox of Value, Galerie Sophie Scheidecker, Paris, France.
El arribante ya habitaba ahí, intervention in hotels during Zona MACO, Grupo Habita, Mexico City, Mexico.
Escotoma. Historias de Butades, Galería Metropolitana of UAM, Mexico City, Mexico.
El deseo o la emergencia de lo privado en lo público, Centro Cultural de España en Lima, Peru.
Programa de Video, Fundación Televisa, Zona MACO, Mexico City Mexico.
The Life of Others. Repetition and Survival, Akbank Art Center, Istanbul, Turkey.
Desplazamientos: arte contemporáneo en la Colección FEMSA, Museo de Arte Contemporáneo de Tamaulipas, Matamoros, Mexico.
Reverdecer. Paisaje, revisión de un género, Museo del Palacio de Bellas Artes, Mexico City, Mexico.

Block, Pillar, Slab, Beam, Aspen Museum of Art, Aspen, USA.
Pas Enconre, Galerie Sultana, Paris, France.
Poule!, JUMEX Foundation/Collection, Ectatepec, Mexico
Resisting the Present, Musée d’Art Moderne de la Ville de Paris, Paris, France.
Voyage, Voyage, Maison de l’Amerique Latine, Paris, France.
Itinerarios XVIII, Fundación Marcelino Botín, Santander, Spain.
Extrarradio, Mustang Art Gallery, Elche, Spain.
En obras. Colección Texeira de Freitas, TEA Tenerife Espacio de las Artes, Spain.

Nos habíamos hecho la ilusión de ir directamente, Espai Cultural, Barcelona, Spain.
The Space Between Now and Then, Galería OMR, Mexico City, Mexico.
Resisting the Present, Museo Amparo, Puebla, México.
Kayi Kent A4, DEPO, Istanbul, Turkey.
La Vide Mode d’Emploi, Messen De Clercq, Brussels, Belgium.
Library Science, Artspace, New Haven, CA, USA.
Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary 2011, Dublin, Ireland.
Five Easy Pieces, Franco Noero Gallery, Turin, Italy.

Everything Must Go, Casey Kaplan Gallery, New York, NY, USA.
Atardecer ranchero, Travesia Cuatro, Madrid, Spain.
Destello, The Jumex Collection, Ecatepec, Mexico.
Crisisss America Latina, Arte y confrontación: 1910-2010, Museo del Palacio de Bellas Artes, Mexico City, Mexico.
La práctica de la textualidad, Galería Jesus Gallardo, Teatro Doblado, León Mexico.

Public Art Section, Art Basel Miami Beach, Miami, FL, USA.
De Frente Al Sol, curated by P. Charpenel, Galerie Martin Janda, Vienna, Austria.
Mexico: Expected, Unexpected, B.P.S. 22, Charleroi, Belgium.
Constante la neuva Babilonia, Museo de Arte de Zapopan, Guadalajara, Mexico.
Art in the Auditorium II, Fundación PROA, Buenos Aires, Argentina.
The Mole Horizon, Bozar, Center for Fine Arts, Brussels, Belgium.
A+D. Alegorias de la migracion, Institute Cabanas, Guadalajara, Mexico.
Twenty First-Century, Queensland Art Gallery, Brisbane, Australia.
One Room, One Work, 1301PE, Los Angeles, CA, USA.

Wall Works, 1301pe, Los Angeles, CA, USA.
[sic], OMR, Mexico City, Mexico.
PavillioM, Madonna Dell Orto, Venice, Italy.
Opus 6, Espacio Alterego, Guadalajara, Mexico.
La nada y el ser. Colección Jumex, Ecatepec, Mexico.
Una serie de microfascismos consecutivos y sin fin. Muca Roma, Mexico City, Mexico.

Collection Agustín et Isabel Coppel, Mexico: Expected/Unexpected. Le Maison Rouge, Paris, France.
Obra Pública. Instituto Cultural Cabañas, Guadalajara, Mexico.
Unexpected Mexico: The Agustín and Isabel Coppel Collection, Maison Rouge, Paris, France.
City: Instructions, public interventions on diverse locations, Guadalajara, Mexico.
The Best Art Work in the World (or The Portrait of the Artist), Charro Negro Gallery, Guadalajara, Mexico.
25 Years, OMR Gallery, Mexico City, Mexico.
La invención de lo cotidiano. Museo Nacional de Arte. Mexico City, Mexico.
Animal Roto, Museo de Arte Moderno. Mexico City, Mexico.
Implications of Image, Arts and Sciences University Museum, MUCA, CU, Mexico City, Mexico.

Stardust, Museum of Contemporary Art of the Val-de-Marne, Paris, France.
YAQ, La Planta, Guadalajara, Mexico.
Stardust ou la dernière frontière, MAC/VAL Museè d’art Contemporain du Val-de-Marne, Paris, France.
Viva México?, Zacheta National Gallery of Art, Warsow, Poland.
Vento-Sul 4a. Muestra Latinoamericana de Artes Visuales, Paraenense Art Institute, Curitiva, Brazil.
L’Ottava Tavola: An Etymology of Contemporary Codes, Cortona, Italy.
Glitch, Triangle Project Space, San Antonio, CA, USA.

Libro-Objeto. Ejemplares, Museo Nacional de la Estampa, Mexico City, Mexico.
Fatti e Finizione della venusta isola di San Servolo in Venezia, San Servolo, Venice, Italy.
Esquiador en el fondo del pozo, La Colección Jumex, Estado de México, Mexico.
Limbo a la comodidad del medio, Museo de Arte Carrillo Gil, Mexico City, Mexico.
Las implicaciones de la imagen, Museo de arte de Sinaloa, Culiacán, Mexico.

Polysemia, Arcaute Arte Contemporáneo, Monterrey, Mexico.
I´m he as you are he as you are me as we are all together. Central de Arte, Guadalajara, Mexico.
Declaraciones, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
Air Container, Museo Raúl Anguiano, Guadalajara, Mexico.

23 Zonas, Instituto Cultural Cabañas, Guadalajara, Mexico.
Sólo los personajes cambian, Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico.
Piezas pequeñas. Espacios Grandes, Galerie Ocurrence, Montreal, Canada.
Multitasquin, OMR, Mexico City, Mexico.
VIII Bienal Internacional de Pintura de Cuenca, Cuenca, Ecuador.
La relatividad del tiempo y los distintos sistemas de referencia, OPA, Guadalajara, Mexico.

Tekhne, Ancestral techniques and contemporary practices in the Suro workshop of Tlaquepaque, The Buena Vista Building, Miami, FL, USA.
Mexico Illuminated, Freedman Gallery and various locations, Reading, PA, USA.
Pasajes, Ciclo de video, Museo Rufino Tamayo, Mexico City, Mexico.
REMIX, Arena Mexico Arte Contemporáneo, Guadalajara, Mexico.
Vulnerable, Sala Hermenegildo Bustos y Polivalente, Universidad de Guanajuato, Guanajuato, Mexico.
Arena Mexico, 3 artists from Guadalajara, Ramis Barquet Gallery, New York, NY, USA.
Muestra 002, Feria de Arte Contemporáneo, WTC, Mexico City, Mexico.
Piel Fria, Museo de Arte Carrillo Gil, Mexico City y Centro de la Artes, Monterrey, Mexico.
Creación en movimiento. Generación 2001-2002. Centro Nacional de las Artes, Mexico City, Mexico.
Within Temporary Crossroads, Central de Arte en WTC Guadalajara, Mexico.

Item, Centro Cultural de España en Mexico, Mexico City, Mexico.
Sitio y superficie, Festival Internacional Cervantino, Guanajuato, Mexico.
Vidarte 2002, Festival Internacional de Video y Artes Electrónicas, Palacio de Correos, Mexico City, Mexico.
Intangible, Exposición Homenaje a Luis Barragán, Casa ITESO-Clavijero, Guadalajara, Mexico.
7 dilemas, Museo de Arte Moderno, Mexico City, Mexico.
Mexartfest, Osaka Sky Building, Osaka, Japan.
Sauvage, La Panaderia, Mexico City, Mexico.
Muestra 001, Feria de Arte Contemporáneo, Arena Mexico Arte Contemporáneo, Monterrey, Mexico.
XXIII Encuentro Nacional de Arte Joven, Museo de Arte Contemporáneo, Aguascalientes, Mexico.
Winter Show, Jack Tilton Gallery, New York, NY, USA.
Anécdota, Galería Arte 3, Nuevo León, Mexico.
Teoría del ocio, La Colección Jumex, Estado de Mexico, Mexico.

It´s not so much a living hell, it´s just a dying fiction, FAZ Studio, Guadalajara, Mexico.
Braziers Internacional Artist Workshop, Braziers Park, Oxfordshire, UK.
Confulgente hado (o de reinventar principios) colectiva de nuevo talento en el arte visual mexicano, Ex Teresa Arte Actual-Fundación Cultural Bancomer, Mexico City, Mexico.
Update 2.0, Museo de las Artes, Guadalajara, Mexico.
Proyecta Versión 1.0, Goethe Institute, Guadalajara, Mexico.

Propulsión a chorro, Museo de las Artes de Guadalajara, Guadalajara, Mexico.

Un día después 2000, Museo de las Artes de Guadalajara, Guadalajara, Mexico.
Simulacria, espacio 16/16, Guadalajara, Mexico.
Superfino, espacio 16/16, Guadalajara, Mexico.

Domestica, Mar Caribe 1237, Country Club, Guadalajara, Mexico.

Sin Título, ITESO, Guadalajara, Mexico.


Member of the National System of Art Creators (2014-2016), by the National Funding for Culture and Arts (FONCA), Mexico .

Fine Arts Scholarship by the Foundation of Art Cisneros Fontanals ( CIFO), Miami, USA.

Member of the National System of Art Creators (2010-2013), by the National Funding for Culture and Arts (FONCA), Mexico.
Recipient of the grant Beca de Artes Plásticas by Fundación Marcelino Botin, Santander, Spain.

Selected work for Bienal Monterrey FEMSA, Center for the Arts, Monterrey, Mexico.

Recipient of the grant Young Creators, by the National Funding for Culture and Arts (FONCA), Mexico.

Honor Mention in the 2nd Yucatan Biennale, Mérida, Yucatán, Mexico.

Recipient of the grant Young Creators, by the State Funding for Culture and Arts, Mexico.

Selected work for XXIII Encuentro nacional de arte joven, Aguscalientes, Mexico.
Recipient of the grant Young Creators, by the National Funding for Culture and Arts(FONCA), Mexico.

Selected work for Bienal Monterrey FEMSA, Centro de las Artes, Monterrey, Mexico.

Artist Residencies

A+D, LABoral Centro de Arte, Gijon, Spain.

Art Omi International Artist’s Residence, Omi, New York, NY, USA.

ArtLab, San Servolo Artist Residence, Venice, Italy.

Braziers International Artist Workshop, Oxfordshire, UK.

Teaching Experience

Professor in Residence, SOMA, Mexico City, Mexico.

Associated Professor in Architecture and Design School, ITESO University, Guadalajara, Mexico.


Colección Jumex, Mexico City, Mexico.
Colección Televisa, Mexico City, Mexico. Colección Coppel, Sinaloa, Mexico.
Colección Suro, Guadalajara, Mexico.
National Gallery of Victoria ,Australia
Museo Amparo, Puebla, Mexico
r/e Collection
21C Museum, Kentucky, Estados Unidos Fundación Calosa, Mexico
Museo Universitario de Arte Contemporáneo MUAC, Mexico City, Mexico
Queensland Art Gallery , Australia
Deutsche Bank Collection
Sayago & Pardon Collection , USA
PAMM, Perez Art Museum Miami, USA.


Articles, Interviews, Reviews:
Kalash, Alberto; Méndez, Jorge. “Dialogo”. Revista Taxi, num. 4 (2011) :96-105.
Munguía, Jorge. “Jorge Méndez Blake”. Suplemento TOMO. Abril (2011)
Albores, Montserrat. “Jorge Méndez Blake”. Artforum Critic’s Picks web, abril, (2011).
Méndez, Jorge. “Hands on: Jorge Méndez Blake para 192”. Revista 192, num. 14 (2011): 65-72
Reyes, Fernanda. “Jorge Méndez Blake. El hermes de la literatura”. Revista Arte al límite, num. 45, (2010): 62-63.
Kurikhina, Marina. “Jorge Méndez Blake. Open Libraries”. Revista VGLAZ, num. 1 (2010): 42-47
Pérez, Daniela, “The marquise went out at five, leaving the empty library behind…”. Revista Rufino, num. 002 (2010): 30-39.
Garnica, D. “Lecturas a la vista”. Revista Luvina, num. 55 (2009).
Pohlenz, R. “Jorge Méndez Blake”. Revista Flash Art, núm. 261 (2008): 258.

Lammers, G. “Por sus pistolas”. Revista Tiempo de Relojes, núm. 51 (2007): 108-112.
Berlanga, J. “Entrevista a Jorge Méndez Blake. Ida y vuelta”. Revista La Tempestad Universitaria, núm. 16 (2007): 18-19
Dávila, J., J. Méndez y J. Solórzano. “I Was of Three Minds”. Revista Código 06140, año 6, núm. 39 (2007): 36-45.
Teets, J. “El tesoro de Isla Negra”. Revista Blink, año 2, núm. 11 (2005): 35
Ibarra, G. “(Sin título) Remasterizando la literatura”. Revista SPOT, año II, núm. 7 (2005): 35-38
Lara, B. “Jorge Méndez Blake”. Revista Código 06140, año 2, núm. 20 (2004): 36-37
Lara, B. “The Tongue is an Eye”. Revista Luvina, núm. 31 (2003): 55-62
Helguera, P. “Jorge Méndez Blake”. Revista Art Nexus, núm. 45, Vol. 3 (2002): 116-117.
O’Reilly, S. “Braziers International Artist Workshop”. Revista Frieze, noviembre (2001): 132.

Catalogs, Books:
Nos hicimos la ilusión de avanzar directamente. Barcelona: Roma Publication, 2011
Never Odd or Even. Nueva York: Goethe-Institute, 2011
NOW. México: Fundación/Colección Jumex, 2011.
Resisting the Present. Mexico 2000/2012. París: Musée d’art moderne de la ville de parís / ARC, 2011
La vie mode d’emploi (Life a user’s manual). Bruselas: Meessen de Clercq, 2011.
Destello. México: Fundación/Colección Jumex, 2010.
All the Poetry Books. Los Angeles: LAND, 2011
Mountain, Building, Book. Selected Works 2005-2010. Jorge Méndez Blake. Bruselas: Meessen de Clercq, OMR, 2010.
21st Century. Art in the First Decade. Australia: Queensland Art Gallery, 2010.
21st Century. Art for Kids. Brisbane:Queensland Art Gallery7Gallery of Modern Art, 2010

Constante. La nueva Babilonia. Guadalajara: Museo de Arte de Zapopan, 2010
IX Bienal Monterrey FEMSA. Monterrey: FEMSA, 2010
Creación en movimiento. 20 años FONCA. México: Conaculta, 2010
Liga 2005-2008. Guadalajara: Liga-Conaculta, 2010.
Book, Building, Mountain. Selected Works 2005-2009. Jorge Méndez Blake. Bruselas: Meessen de Clercq, 2009.
La invención de lo cotidiano. México: Colección Jumex, 2009.
México: Expected/Unexpected. París: Maison Rouge, 2008.
Cita. Ciudad: Instrucciones. Foro de Arquitectura Com: Plot. México: Ediciones Anónimas, 2008.
Cita. Instructivo para recorrer la ciudad. México: Ediciones Anónimas, 2008.

Vento-Sul 4a. Muestra Latinoamericana de Artes Visuales. Curitiba: Instituto Paranaense de Arte, 2007.
L’ Ottava Tavola. Nueva York: Artist Pension Trust, 2007.
Viva México!. Varsovia: Zacheta Narodowa Galeria Sztuki, 2007.
Fatti e Finzione della venusta isola di San Servolo in Venezia. Venecia: San Servolo Servizi, 2006.
Esquiador en el fondo de un pozo. México: Colección Jumex, 2006.
Dorfsman, A. e Y. Okon (eds.). La panadería. México: Turner, 2005.
México en ARCO ‘05. México: Conaculta, 2005.
Méndez, J. (ed.). Dicen que finjo o miento. México: Central de Arte, 2005.

Sala de Arte Público Siqueiros. Memoria dos mil cinco. México: Conaculta, 2005.
Mexicanos. Madrid: La Casa Encendida, 2005.
Charpenel, P., M. Arreola y A. Mallet (eds.). Solo los personajes cambian. México: MARCO, 2005.
Basualdo, C. (ed.). Los usos de la imagen: fotografía, film y video en la Colección Jumex. Buenos Aires: Malba Colección Constantini, Colección Jumex y Espacio Fundación Telefónica, 2004.
Ashida, C. (ed.) Piel fría. México: Conaculta, 2004
Segunda Bienal de Artes Visuales de Yucatán. México: Conaculta, 2004.
23 Zonas. México: Conaculta, 2004.
Vidarte 2002. México: Conaculta, 2002.