Guadalajara, México, 1974
Lives and Works in Guadalajara, Mexico.

From the beginning of his career, Jorge Méndez Blake has explored the possible relations between literature and fine arts, and has developed a large body of work with drawings, sound works, sculptures and videos, always referring to the great masters of universal literature, such as William Shakespeare, Jules Verne, Franz Kafka and Jorge Luis Borges, among many others.

In his work, literature becomes a tool that articulates situations, places and objects where each piece is full of theoretical meanings related to one another. The visual results from a dialogue with literature, and create complex works that provide a specific form that occurs only in the realm of imagination and desire.

The artist relates classic literature with contemporary architecture and visual arts to perform installations, drawings and interventions based on the notion of “library,” understood not only as a receptor that accumulates knowledge, but as an object with infinite formal possibilities; an institution whose purpose is the preservation of books and the dissemination of knowledge. The artist sees libraries not as isolated buildings, but as constructions that hold inexhaustible sources of information, and are thus able to create microsystems that address specific issues such as landscape or love.

Méndez Blake’s work oscillates between reality and fiction when merging the architecture of places like the Library François Mitterand in Paris, or the Public Library in Seattle, with landscapes – and fragments – of fantastic literature, to become cultural metaphors which meaning expands to different areas of knowledge.




Bachelor Degree on Architecture, Universidad ITESO, Guadalajara, Mexico.

Solo Exhibitions

MARCO, Monterrey, Nuevo León, Mexico

Jorge Mendez Blake. Remember an Exhibition, Palm Springs Museum of Art, California

Paisaje Desmantelado (Haikus de José Juan Tablada) / Dismantled Landscape (José Juan Tablada’s Haikus), Site-specific commissioned artwork, Macallan Art Prize, Bass Museum of Art, Miami Beach, USA

I Will Defend Poetry, MAI36, Zurich, Switzerland

Toda letra es la última letra, Travesía Cuatro, Madrid, Spain
Nos Sentamos, Escuchamos, discutimos, OMR, Mexico City, Mexico

Dear James, Mai 36 Galerie, Zürich, Switzerland

Una manaza y una retícula, Travesía Cuatro, Guadalajara, Mexico
MASIN, Culiacán, Sinaloa, Mexico

Dismantling Gorostiza, as part of Pacific Standard Time: LA/LA, 1301PE, Los Angeles, USA
A Message From the Emperor, Marfa contemporary, Marfa, Texas
Apollinaire’s Misspell and Other Calligrams, Meessen De Clercq, Brussels, Belgium

Ventana Poniente, OMR, Mexico City, Mexico
Nocturnos, Galería Travesía Cuatro, Madrid, Spain

Meta Narrativas (Arte, diseño y el desarrollo tecnológico), Galería Andrea Pozzo, Museo Franz Mayer, Mexico City, Mexico
Projects for a possible Literature, La Kunsthalle, Mulhouse, France
Taslaciones topográficas de la Biblioteca Nacional, MUAC, Mexico City, Mexico

HIC ET NUNC Sobre paradojas democráticas, MUCA Roma, Mexico City, Mexico
Project for a Park Library, MCA Denver, USA. Curated by Nora Abrams.
Al margen del texto, Travesía Cuatro, Madrid, Spain

Nothing is Left to Tell, Messen De Clercq, Brussels, Belgium

Tutti i libri di Calvino (e altre storie), Museo d’arte Contemporanea Villa Croce, Geneva, Italy
Ceboruco, OMR, Mexico City, Mexico
Poems and Monuments, 1301PE, Los Angeles, USA
All the Borges’ Books, Frame, Frieze, New York, USA

Empty Bookshelf, Meessen De Clercq, Brussels, Belgium
Mallarmé Library, Travesía Cuatro, Madrid, Spain

The Constructivist Library, Art Positions, Art Basel Miami, USA
The Red Library, Meessen De Clercq, Brussels, Belgium
The Marquise Went Out at Five…Jorge Méndez Blake, Museo Rufino Tamayo, Mexico City, Mexico
All the Poetry Books, Museum of Latin American Art, Los Angeles, USA

The Borges Library, Present Future Section, Artissima, Turin, Italy
3 Libraries, OMR, Mexico City, Mexico
The Wall Library, Project Room, Brussels, Belgium
Das Kapital, Meessen De Clercq, Brussels, Belgium

The Exploration Library, Moti Hasson Gallery, New York, USA
The Castle, Museum of Modern Art, Mexico City, Mexico

The Castle, Biblioteca José Cornejo Franco, Guadalajara, Mexico

Fiction is the Beggining of Exile, OMR, Mexico City, Mexico

Isla Negra’s Treasure, Sala de Arte Público Siqueiros, Mexico City, Mexico
Unable to Establish Any Contact, José Clemente Orozco’s Studio, Guadalajara, Mexico
The Characters Interfere With Architecture, Casa Encendida, Madrid, Spain

Almost Stories (Variations to Build a Text or the Complete Stories, Maybe), OMR, Mexico City, Mexico

Journey to the Center of the Earth, Arena México Gallery, Guadalajara, Mexico
Artist Can Write, INTAR Gallery, New York, USA

Stage, Proyecto Zapopan, Guadalajara, Mexico

Group Exhibitions

Tongues of Fire, Ballroom Marfa, USA
Transformations, Museum Franz Gertsch, Burgdorf, Switzerland
El tiempo en las cosas II, Puebla, Mexico

Upward Panic, curated by Rodrigo Ortiz Monasterio, OMR, Mexico City, Mexico

Excepciones normales: arte contemporáneo en méxico, Museo Jumex, Mexico City, Mexico

Revert to Type, Fabian Lang, Zurich, Switzerland
Arte y Arquitectura: Un Diálogo, Centro Botin, Santander, Spain
Much Without Many
, Meessen De Clercq, Brussels, Belgium

How The Light Gets In, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA
1301 @ GBT, Barbara Thumm Galerie, Berlin, Germany
Who Writes?, Curated by Jo Ying Peng, Galería OMR, Mexico City, Mexico
Double trouble \ double grins \ is it so with \ twins, Lothringer 13 Halle, Munich, Germany
Territorios de la memoria 1985-2019, Museo de Arte Moderno – Mexico City, Mexico
La construcción de lo posible, XIII Bienal de la Habana, La Habana, Cuba.
Borders, James Cohan, New York, USA

The Unwritten Library. After Babel, Annex M Triology, Athens, Greece
Cycles of Collapsing Progress, Curated by Karina El Heloou in partnership with Anissa Touati, Rashid Karami Fair, Tripoli, Lebanon
The Unwritten Library. The Last Reader, Annex M Triology, Athens, Greece

De La Línea Al Movimiento, BlueProject Foundation, Barcelona, Spain
Lecturas de un territorio fracturado, Museo Amparo, Puebla, Mexico
The Walk, Meessen De Clercq, Brussels, Belgium
Dimensões varia veis, artistas e arquitetura, MAAT Museum, Portugal
Fisuras en el trópico. Practicas des los 90’s en el occidente, OPC, Puerto Vallarta, Mexico
Derniers usage de la littérature, Frac Franche-Comté, France
Du verbe à la communication, Carré d’art, Nîmes, France
NGV Triennal, National Gallery of Victoria, Melbourne, Australia
The Queen Falls, OMR, Mexico City, Mexico

¿Cómo te voy Olvidar?, Galerie Perrotin, Paris, France
After Alexandria, the Flood, Proto5533, Istanbul, Turkey
Overburden, Bard Hessel Museum of Art Bard College, New York, USA

A.N.T.H.R.O.P.O.C.E.N.E, Meessen De Clercq, Brussels, Belgium
LARA (Latin American Roaming Artist), Museo de Arte Carrillo Gil, Mexico City, Mexico
By the Book, Sean Kelly Gallery, New York, USA

Mex Pro Mexico Art Project, Museo Revoltella, Museo Storico del Castello di Miramare, Viale Miramare, Tireste, Italy
The House, Faggionato, London
Ilusión Optica, Museo de Arte Moderno, Mexico City, Mexico
Un lugar en dos dimensiones: una selección de la Colección Jumex+ Fred Sandback, Fundación/ Colección Jumex, Mexico City, Mexico
Saint Jerome, Messen De Clercq, Brussels, Belgium

My Third Land, Frankendael Foundation, Amsterdam, Netherlands
Monkey Business. The Paradox of Value, Galerie Sophie Scheidecker, Paris, France
El arribante ya habitaba ahí, intervention in hotels during Zona MACO, Grupo Habita, Mexico City, Mexico
Escotoma. Historias de Butades, Galería Metropolitana of UAM, Mexico City, Mexico
El deseo o la emergencia de lo privado en lo público, Centro Cultural de España en Lima, Peru
Programa de Video, Fundación Televisa, Zona MACO, Mexico City, Mexico
The Life of Others. Repetition and Survival, Akbank Art Center, Istanbul, Turkey
Desplazamientos: arte contemporáneo en la Colección FEMSA, Museo de Arte Contemporáneo de Tamaulipas, Matamoros, Mexico
Reverdecer. Paisaje, revisión de un género, Museo del Palacio de Bellas Artes, Mexico City, Mexico

Block, Pillar, Slab, Beam, Aspen Museum of Art, USA
Pas Enconre, Galerie Sultana, Paris, France
Poule!, JUMEX Foundation/Collection, Ecatepec, Mexico
Resisting the Present, Musée d’Art Moderne de la Ville de Paris, France
Voyage, Voyage, Maison de l’Amerique Latine, Paris, France.
Itinerarios XVIII, Fundación Marcelino Botín, Santander, Spain
Extrarradio, Mustang Art Gallery, Elche, Spain
En obras, Colección Texeira de Freitas, TEA Tenerife Espacio de las Artes, Spain

Nos habíamos hecho la ilusión de ir directamente, Espai Cultural, Barcelona, Spain
The Space Between Now and Then, Galería OMR, Mexico City, Mexico
Resisting the Present, Museo Amparo, Puebla, Mexico
Kayi Kent A4, DEPO, Istanbul, Turkey
La Vide Mode d’Emploi, Messen De Clercq, Brussels, Belgium
Library Science, Artspace, New Haven, USA
Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary 2011, Dublin, Ireland
Five Easy Pieces, Franco Noero Gallery, Turin, Italy
Everything Must Go, Casey Kaplan Gallery, New York, USA
Atardecer ranchero, Travesia Cuatro, Madrid, Spain
Destello, The Jumex Collection, Ecatepec, Mexico
Crisisss America Latina, Arte y confrontación: 1910-2010, Museo del Palacio de Bellas Artes, Mexico City, Mexico
La práctica de la textualidad, Galería Jesus Gallardo, Teatro Doblado, León, Mexico

Public Art Section, Art Basel Miami Beach, Miami, USA
De Frente Al Sol, curated by P. Charpenel, Galerie Martin Janda, Vienna, Austria
Mexico: Expected, Unexpected, B.P.S. 22, Charleroi, Belgium
Constante la nueva Babilonia, Museo de Arte de Zapopan, Guadalajara, Mexico
Art in the Auditorium II, Fundación PROA, Buenos Aires, Argentina
The Mole Horizon, Bozar, Center for Fine Arts, Brussels, Belgium
A+D. Alegorias de la migración, Institute Cabanas, Guadalajara, Mexico
Twenty First-Century, Queensland Art Gallery, Brisbane, Australia
One Room, One Work, 1301PE, Los Angeles, USA

Wall Works, 1301pe, Los Angeles, USA
[sic], OMR, Mexico City, Mexico
PavillioM, Madonna Dell Orto, Venice, Italy
Opus 6, Espacio Alterego, Guadalajara, Mexico
La nada y el ser, Colección Jumex, Ecatepec, Mexico
Una serie de microfascismos consecutivos y sin fin. MUCA Roma, Mexico City, Mexico

Obra Pública, Instituto Cultural Cabañas, Guadalajara, Mexico
Unexpected Mexico: The Agustín and Isabel Coppel Collection, Maison Rouge, Paris, France
City: Instructions, public interventions on diverse locations, Guadalajara, Mexico
The Best Art Work in the World (or The Portrait of the Artist), Charro Negro Gallery, Guadalajara, Mexico
25 Years, OMR, Mexico City, Mexico
La invención de lo cotidiano, Museo Nacional de Arte, Mexico City, Mexico
Animal Roto, Museo de Arte Moderno, Mexico City, Mexico
Implications of Image, Arts and Sciences University Museum, MUCA Roma, Mexico City, Mexico

Stardust, Museum of Contemporary Art of the Val-de-Marne, Paris, France
YAQ, La Planta, Guadalajara, Mexico
Stardust ou la dernière frontière, MAC/VAL Museè d’art Contemporain du Val-de-Marne, Paris, France
Viva México?, Zacheta National Gallery of Art, Warsow, Poland
Vento-Sul 4a. Muestra Latinoamericana de Artes Visuales, Paraenense Art Institute, Curitiva, Brazil
L’Ottava Tavola: An Etymology of Contemporary Codes, Cortona, Italy
Glitch, Triangle Project Space, San Antonio, USA

Libro-Objeto. Ejemplares, Museo Nacional de la Estampa, Mexico City, Mexico
Fatti e Finizione della venusta isola di San Servolo in Venezia, San Servolo, Venice, Italy
Esquiador en el fondo del pozo, La Colección Jumex, Mexico City, Mexico
Limbo a la comodidad del medio, Museo de Arte Carrillo Gil, Mexico City, Mexico
Las implicaciones de la imagen, Museo de arte de Sinaloa, Culiacán, Mexico

Polysemia, Arcaute Arte Contemporáneo, Monterrey, Mexico
I’m he as you are he as you are me as we are all together, Central de Arte, Guadalajara, Mexico
Declaraciones, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Air Container, Museo Raúl Anguiano, Guadalajara, Mexico

23 Zonas, Instituto Cultural Cabañas, Guadalajara, Mexico
Sólo los personajes cambian, Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico
Piezas pequeñas, Espacios Grandes, Galerie Ocurrence, Montreal, Canada
Multitasquin, OMR, Mexico City, Mexico
VIII Bienal Internacional de Pintura de Cuenca, Cuenca, Ecuador
La relatividad del tiempo y los distintos sistemas de referencia, OPA, Guadalajara, Mexico

Tekhne, Ancestral techniques and contemporary practices in the Suro workshop of Tlaquepaque, The Buena Vista Building, Miami, USA
Mexico Illuminated, Freedman Gallery and various locations, Reading, USA
Pasajes, Ciclo de video, Museo Rufino Tamayo, Mexico City, Mexico
REMIX, Arena Mexico Arte Contemporáneo, Guadalajara, Mexico
Vulnerable, Sala Hermenegildo Bustos y Polivalente, Universidad de Guanajuato, Guanajuato, Mexico
Arena Mexico, 3 artists from Guadalajara, Ramis Barquet Gallery, New York, USA
Muestra 002, Feria de Arte Contemporáneo, WTC, Mexico City, Mexico
Piel Fria, Museo de Arte Carrillo Gil, Mexico City y Centro de la Artes, Monterrey, Mexico
Creación en movimiento. Generación 2001-2002. Centro Nacional de las Artes, Mexico City, Mexico
Within Temporary Crossroads, Central de Arte en WTC Guadalajara, Mexico

Item, Centro Cultural de España en Mexico, Mexico City, Mexico
Sitio y superficie, Festival Internacional Cervantino, Guanajuato, Mexico
Vidarte 2002, Festival Internacional de Video y Artes Electrónicas, Palacio de Correos, Mexico City, Mexico
Intangible, Exposición Homenaje a Luis Barragán, Casa ITESO-Clavijero, Guadalajara, Mexico.
7 dilemas, Museo de Arte Moderno, Mexico City, Mexico
Mexartfest, Osaka Sky Building, Osaka, Japan
Sauvage, La Panaderia, Mexico City, Mexico
Muestra 001, Feria de Arte Contemporáneo, Arena Mexico Arte Contemporáneo, Monterrey, Mexico
XXIII Encuentro Nacional de Arte Joven, Museo de Arte Contemporáneo, Aguascalientes, Mexico.
Winter Show, Jack Tilton Gallery, New York, NY, USA
Anécdota, Galería Arte 3, Nuevo León, Mexico
Teoría del ocio, La Colección Jumex, Estado de Mexico, Mexico

It’s not so much a living hell, it’s just a dying fiction, FAZ Studio, Guadalajara, Mexico
Braziers Internacional Artist Workshop, Braziers Park, Oxfordshire, UK
Confulgente hado (o de reinventar principios) colectiva de nuevo talento en el arte visual mexicano, Ex Teresa Arte Actual-Fundación Cultural Bancomer, Mexico City, Mexico
Update 2.0, Museo de las Artes, Guadalajara, Mexico
Proyecta Versión 1.0, Goethe Institute, Guadalajara, Mexico

Propulsión a chorro, Museo de las Artes de Guadalajara, Guadalajara, Mexico

Un día después 2000, Museo de las Artes de Guadalajara, Guadalajara, Mexico
Simulacria, espacio 16/16, Guadalajara, Mexico
Superfino, espacio 16/16, Guadalajara, Mexico

Domestica, Mar Caribe 1237, Country Club, Guadalajara, Mexico

Sin Título, ITESO, Guadalajara, Mexico


Member of the National System of Art Creators (2014-2016), by the National Funding for Culture and Arts (FONCA), Mexico .

Fine Arts Scholarship by the Foundation of Art Cisneros Fontanals ( CIFO), Miami, USA.

Member of the National System of Art Creators (2010-2013), by the National Funding for Culture and Arts (FONCA), Mexico.
Recipient of the grant Beca de Artes Plásticas by Fundación Marcelino Botin, Santander, Spain.

Selected work for Bienal Monterrey FEMSA, Center for the Arts, Monterrey, Mexico.

Recipient of the grant Young Creators, by the National Funding for Culture and Arts (FONCA), Mexico.

Honor Mention in the 2nd Yucatan Biennale, Mérida, Yucatán, Mexico.

Recipient of the grant Young Creators, by the State Funding for Culture and Arts, Mexico.

Selected work for XXIII Encuentro nacional de arte joven, Aguscalientes, Mexico.
Recipient of the grant Young Creators, by the National Funding for Culture and Arts(FONCA), Mexico.

Selected work for Bienal Monterrey FEMSA, Centro de las Artes, Monterrey, Mexico.

Artist Residencies

A+D, LABoral Centro de Arte, Gijon, Spain

Art Omi International Artist’s Residence, Omi, New York, USA

ArtLab, San Servolo Artist Residence, Venice, Italy

Braziers International Artist Workshop, Oxfordshire, UK

Teaching Experience

Professor in Residence, SOMA, Mexico City, Mexico

Associated Professor in Architecture and Design School, ITESO University, Guadalajara, Mexico


Colección Jumex, Mexico City, Mexico
Colección Televisa, Mexico City, Mexico. Colección Coppel, Sinaloa, Mexico
Colección Suro, Guadalajara, Mexico
National Gallery of Victoria, Australia
Museo Amparo, Puebla, Mexico
r/e Collection
21C Museum, Kentucky, Estados Unidos Fundación Calosa, Mexico
Museo Universitario de Arte Contemporáneo MUAC, Mexico City, Mexico
Queensland Art Gallery, Australia
Deutsche Bank Collection
Sayago & Pardon Collection , USA
PAMM, Perez Art Museum Miami, USA


Articles, Interviews, Reviews:
Kalash, Alberto; Méndez, Jorge. “Dialogo”. Revista Taxi, num. 4 (2011) :96-105.
Munguía, Jorge. “Jorge Méndez Blake”. Suplemento TOMO. Abril (2011)
Albores, Montserrat. “Jorge Méndez Blake”. Artforum Critic’s Picks web, abril, (2011).
Méndez, Jorge. “Hands on: Jorge Méndez Blake para 192”. Revista 192, num. 14 (2011): 65-72
Reyes, Fernanda. “Jorge Méndez Blake. El hermes de la literatura”. Revista Arte al límite, num. 45, (2010): 62-63.
Kurikhina, Marina. “Jorge Méndez Blake. Open Libraries”. Revista VGLAZ, num. 1 (2010): 42-47
Pérez, Daniela, “The marquise went out at five, leaving the empty library behind…”. Revista Rufino, num. 002 (2010): 30-39.
Garnica, D. “Lecturas a la vista”. Revista Luvina, num. 55 (2009).
Pohlenz, R. “Jorge Méndez Blake”. Revista Flash Art, núm. 261 (2008): 258.
Lammers, G. “Por sus pistolas”. Revista Tiempo de Relojes, núm. 51 (2007): 108-112.
Berlanga, J. “Entrevista a Jorge Méndez Blake. Ida y vuelta”. Revista La Tempestad Universitaria, núm. 16 (2007): 18-19
Dávila, J., J. Méndez y J. Solórzano. “I Was of Three Minds”. Revista Código 06140, año 6, núm. 39 (2007): 36-45.
Teets, J. “El tesoro de Isla Negra”. Revista Blink, año 2, núm. 11 (2005): 35
Ibarra, G. “(Sin título) Remasterizando la literatura”. Revista SPOT, año II, núm. 7 (2005): 35-38
Lara, B. “Jorge Méndez Blake”. Revista Código 06140, año 2, núm. 20 (2004): 36-37
Lara, B. “The Tongue is an Eye”. Revista Luvina, núm. 31 (2003): 55-62
Helguera, P. “Jorge Méndez Blake”. Revista Art Nexus, núm. 45, Vol. 3 (2002): 116-117.
O’Reilly, S. “Braziers International Artist Workshop”. Revista Frieze, noviembre (2001): 132.

Catalogs, Books:
Nos hicimos la ilusión de avanzar directamente. Barcelona: Roma Publication, 2011
Never Odd or Even. Nueva York: Goethe-Institute, 2011
NOW. México: Fundación/Colección Jumex, 2011.
Resisting the Present. Mexico 2000/2012. París: Musée d’art moderne de la ville de parís / ARC, 2011
La vie mode d’emploi (Life a user’s manual). Bruselas: Meessen de Clercq, 2011.
Destello. México: Fundación/Colección Jumex, 2010.
All the Poetry Books. Los Angeles: LAND, 2011
Mountain, Building, Book. Selected Works 2005-2010. Jorge Méndez Blake. Bruselas: Meessen de Clercq, OMR, 2010.
21st Century. Art in the First Decade. Australia: Queensland Art Gallery, 2010.
21st Century. Art for Kids. Brisbane:Queensland Art Gallery7Gallery of Modern Art, 2010
Constante. La nueva Babilonia. Guadalajara: Museo de Arte de Zapopan, 2010
IX Bienal Monterrey FEMSA. Monterrey: FEMSA, 2010
Creación en movimiento. 20 años FONCA. México: Conaculta, 2010
Liga 2005-2008. Guadalajara: Liga-Conaculta, 2010.
Book, Building, Mountain. Selected Works 2005-2009. Jorge Méndez Blake. Bruselas: Meessen de Clercq, 2009.
La invención de lo cotidiano. México: Colección Jumex, 2009.
México: Expected/Unexpected. París: Maison Rouge, 2008.
Cita. Ciudad: Instrucciones. Foro de Arquitectura Com: Plot. México: Ediciones Anónimas, 2008.
Cita. Instructivo para recorrer la ciudad. México: Ediciones Anónimas, 2008.
Vento-Sul 4a. Muestra Latinoamericana de Artes Visuales. Curitiba: Instituto Paranaense de Arte, 2007.
L’ Ottava Tavola. Nueva York: Artist Pension Trust, 2007.
Viva México!. Varsovia: Zacheta Narodowa Galeria Sztuki, 2007.
Fatti e Finzione della venusta isola di San Servolo in Venezia. Venecia: San Servolo Servizi, 2006.
Esquiador en el fondo de un pozo. México: Colección Jumex, 2006.
Dorfsman, A. e Y. Okon (eds.). La panadería. México: Turner, 2005.
México en ARCO ‘05. México: Conaculta, 2005.
Méndez, J. (ed.). Dicen que finjo o miento. México: Central de Arte, 2005.
Sala de Arte Público Siqueiros. Memoria dos mil cinco. México: Conaculta, 2005.
Mexicanos. Madrid: La Casa Encendida, 2005.
Charpenel, P., M. Arreola y A. Mallet (eds.). Solo los personajes cambian. México: MARCO, 2005.
Basualdo, C. (ed.). Los usos de la imagen: fotografía, film y video en la Colección Jumex. Buenos Aires: Malba Colección Constantini, Colección Jumex y Espacio Fundación Telefónica, 2004.
Ashida, C. (ed.) Piel fría. México: Conaculta, 2004
Segunda Bienal de Artes Visuales de Yucatán. México: Conaculta, 2004.
23 Zonas. México: Conaculta, 2004.
Vidarte 2002. México: Conaculta, 2002.