
Drawing on a body of work linked to geometric abstraction and gender and sexuality activism, Ad Minoliti proposes a new model of art education, transforming the exhibition hall into a space for theoretical and practical learning. The eighth edition of the Feminist School of Painting was conceived as a site-specific installation at Galeria Praça, a space that was once a classroom.
Upon entering the Grand Gallery, visitors can view the manifesto of the Feminist School of Painting, presented alongside a collection of abstract works from the Pinacoteca’s collection, created by women artists who have made their mark in Brazil from the 1950s to the present. The space features works by Ligia Pape, Judith Lauand, María Bonomi, Vista Schendel, Moussia Pinto Alves, Rebeca Carapia, and Tomie Ohtake.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique. Duis cursus, mi quis viverra ornare, eros dolor interdum nulla, ut commodo diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique. Duis cursus, mi quis viverra ornare, eros dolor interdum nulla, ut commodo diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
Lorem ipsum do diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
Duis cursus, mi quis viverra ornare, eros dolor interdum nulla, ut commodo diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
Commodo diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
© Pinacoteca de São Paulo. Imágenes: Levi Fanan.