OMR is pleased to announce the participation of Ad Minoliti (Buenos Aires, 1980) in the fourth edition of ArPa São Paulo. The presentation brings together a new body of work that continues to deepen the artist’s singular visual language, in which geometric abstraction, queer theory, and speculative fiction converge as tools to imagine and explore non-binary, post-human, as well as decolonial realities.
 Minoliti’s practice takes geometry as a point of departure—not as a neutral tool, but as a sensitive language capable of questioning and reshaping notions of gender, nature, and knowledge. Through geometric forms conceived as quintessentially non-binary beings, Minoliti proposes an alternative world influenced by artistic traditions of the Global South—such as the legacy of Grupo Madí—as well as by the graphic aesthetics of the 1970s and Hanna-Barbera cartoons. This intersection gives rise to an expanded painting practice where art, science fiction, humor, anti-speciesism, and feminist pedagogies are interwoven.