The exhibition Translocaciones addresses the idea of mutation like a change agent. A mutation presents possibilities of adaptation to a given condition and the capacity of transmission to other individuals. Tranlocaciones, in this sense, refers to the movement of people, their interactions in local contexts and the different transfer mechanisms. It is the combination between subjects, experiences and incidents that occur between space and visitors (Ramon Parramón, Idensitat 2015).

The project Translocaciones was originally created and presented in Barcelona by the collective Indensitat, whom propose a artistic practices from the theoretical consideration of forms of mobility, movement of people and their impact on the local territory. Idensitat, interested in creating synergies with different collectives from various regions of the world, Tijuana based collective Torolab, to be a part of the project as well as, Trinity Session, from South Africa.

In the current version of the project, as Translocaciones: Mutación, Torolab collective starts its research on the concept of mobility and the consequences of mutations in different environments and situation, that can generate new dialogues, and that can present opportunities to expand artistic practices to territories ranging from political to practical and trans-disciplinary field in the context of cities like Mexico City and Tijuana. The particular conditions are at times asphyxiating and the problems these cities face can enrich the dialogue that Translocaciones incites with the intention to re-determine city-citizen relations using aesthetic tools to visualize this knowledge.

In this way the exhibition becomes a dynamic device, where different situations will be activated throughout the exhibition time.

• Project Observatory: a selection of works previously developed by different artists presented in Barcelona, in parallel with works curated by Torolab, which in turn expand and investigate the processes of the projects and their contexts as evidence of transformations, from transnational to local nuances, and of participatory actions, linking mechanisms of translocations and mutations.
• Incoherent Diagnostics: a roleplaying game that seeks to propose, from an economic stance point, solutions to the combination of three variables: welfare indicators, agents of disruption and agents of power.
• Dialogues: contact and collaborations with cultural institutions, organisations and individuals active in the area, with the purpose of amplifying the functions of art and to connect it with social areas that usually aren´t tied to artistic practices.

Each of the factors involved will mutate as the program develops, from the questioning of the role of the gallery itself, including the process of transformation of space through the inclusion of works by guest artists. The show will keep growing hand in hand with the conversations generated, starting with works that catalyze these dialogues and concluding with the total curatorial process that aims to generate a portfolio of projects to be subsequently executed, seeking allies, possible strategies and new initiatives.