Mexico City, Mexico, 1980
Lives and works in Mexico City.
Pia Camil was born in 1980 in Mexico City, where she continues to live and work. Her work has been shown in Mexico, Colombia, France and the U.S. Camil received her Bachelor’s of Fine Arts from The Rhode Island School of Design in 2003 and her Master’s of Fine Arts from The Slade School of Fine Art in 2008. In 2009, she formed El Resplandor, a performance-based band. She has received awards including the European Honors Program, Palazzo Cenci, Rome, Italy in 2001 and she was nominated for The Paul Hamlyn Award, London in 2008. Camil’s work is in the permanent collection of La Colección Jumex, la Colección Patricia Phelps de Cisneros and the Wattis Museum amongst others. Her solo exhibitions include “The little dog laughed” at Blum and Poe, Los Angeles, “Entrecortinas: abre, jala, corre” at OMR Gallery, Mexico City, “Espectacular Telón” at Sultana Gallery, Paris, and “Cuadrado Negro” at the Basque museum-center of contemporary art in Spain.
Through her work Pia Camil has shown a proclivity to failure or the decaying associated to the mexican urban landscape, aspects of modernist culture and traces of art history. Her practice has explored the urban ruin – including paintings and photographs of halted projects along Mexico’s highways (highway follies); abandoned billboards that become theatre-like curtains therefore theatricalizing failed capitalist strategies (espectaculares), or the problems and contradictions that arise when engaging with iconic art works (No A trio A or Cuadrado Negro).
Master of Fine Arts, The Slade School of Fine Art, London, UK.
Bachelor of Fine Arts, Rhode Island School of Design, Providence, Rhode Island, USA.
Organismo Multi Orgásmico, Sultana Galerie, Paris, FR
Nidos y Nudos, Blum & Poe, Los Angeles, USA.
Three works, Museum of Contemporary Art Tucson, Arizona, US.
Velo Revelo, Clark Art Institute, Williamstown, MA, USA.
Ríe ahora, llora después, OMR, Mexico City, MX.
Here Comes the Sun, Performance, Solomon R. Guggenheim Museum, New York City, USA.
Fade Into Black, Queens Museum, Queens, New York, USA.
Bara, Bara, Bara, Tramway Art Space, Glasgow, UK.
Split Wall, Nottingham Contemporary, Nottingham , UK.
They, Galerie Sultana, Paris, FR.
Telón de boca, Museo Universitario del Chopo, Mexico City, MX.
Divisor Pirata, Performance, DO DISTURB Festival, Palais de Tokyo, Paris, FR.
Fade into Black, SCAD Museum of Art, Savannah, Georgia, USA.
Bara, Bara, Bara, Dallas Contemporary, Dallas, Texas, USA.
SOLUNA International Music & Arts Festival, Performance, Dallas Contemporary, Dallas, Texas, USA.
A Pot For a Latch, Schirn Kunsthalle Frankfurt, Frankfurt, DE.
Divisor Pirata, NuMu (nuevo museo de arte contemporáneo), Guatemala.
Here and Now, Museum Ludwig: Home Visit
Pia Camil: A Pot for a Latch, New Museum, New York, USA.
Slats, skins and shop fittings, Blum and Poe, New York, USA.
Lodos presenta una Obra de Teatro, PEEE (Parque experimental El Eco), Museo Experimental El Eco, Mexico City, Mexico.
A Pot for a Latch, Manetti Shrem Museum, Davis, California, USA.
Skins, Curated by Justine Ludwig. Contemporary Arts Center, Cincinnati, Ohio, USA.
United States of Latin America, Curated by Jens Hoffmann and Pablo León de la Barra. Museum of Contemporary Art, Detroit, USA.
The little dog laughed, Blum and Poe, Los Angeles, USA.
Entrecortinas: abre, jala corre, OMR, Mexico City, Mexico.
Espectacular Telón, Sultana Gallery, Paris, France.
Cuadro Negro, part of the program Mutatis Mutandis in Artium, Basque Museum-Center of Contemporary Art. Victoria, Spain.
Lost In You (A Performance That Never Happened), open studio performance, Mexico City, Mexico.
El Resplandor, El 52 (project space and residence program ran by OMR Gallery), Mexico City, Mexico.
Retar a la muerte sosteniendo la respiración bajo el agua (in collaboration with Carlotta Manaigo), Proyectos Monclova, Ciudad de México, México.
Pensando en Ti (Thinking of You), permanent intervention in public parking lot, Mexico City, Mexico.
Cuantos Cuentos Cuentas, Temporary gallery space, Mexico City, Mexico.
Shake Your Body, LAGO/ALGO, Curated by Jérôme Sans Mexico City, MX.
Intervención/Intersección: MASA at Rockefeller Center, Curated by Su Wu, New York, US.
Forms Follow Energy. LAGO/ALGO, Mexico City, MX.
ARS22. Museum of Contemporary Art Kiasma, Helsinki, FI.
Unending Beginnings, USC Roski Graduate Gallery, Los Angeles, US.
QUINCEAÑERE, 15 Años de DiabloRosso. DiabloRosso, Curated by Pablo Leon de La Barra. Panama, Rep. de Panama. PA.
In Some Form or Fashion. The Momentary, Arkansas, US.
Elementos Vitales. MASA Gallery. Curated by Su Wu. Oaxaca, MX.
Sartor Resartus. Huset for Kunst & Design, Denmark, DK.
Excepciones Normales: Arte Contemporáneo en Mexico, Museo Jumex, Ciudad de Mexico, MX.
Air Out Your Dirty Laundry. Curated by Laura Copelin, Sarah Melendez, Daisy Nam. Ballroom Marfa. Texas, US.
OTRXS MUNDXS, Museo de Arte Contemporaneo Tamayo.Curated by Humberto Moro and Magali Arriola. Mexico City, MX.
Protext!, Centro Pecci. Prato, Italy. Curated by Camilla Mozzato e Marta Papini. Entrée dans la ronde, Château de Montbazillac, Dordogne, FR.
Aichi Triennale 2019: Taming Y/Our Passion, curated by Pedro Reyes, Nagoya, Japan.
Portadores de Sentido. Arte Contemporáneo en la Colección Patricia Phelps de Cisneros, curated by Sofia Hernández Chong Cuy, Museo Amparo, Puebla, Mexico.
Lover’s Rainbow, Desert X Biennial, curated by Neville Wakefield, Coachella Valley, CA, USA.
Formes Limites: Pratiques de la céramique et sculptures contemporaines, Beaux-Arts de Paris, Paris, France.
The Domestic Plane: New Perspectives on Tabletop Art Objects, The Aldrich Contemporary Art Museum, Connecticut, USA.
Women House, National Museum of Women in the Arts, Washington, DC, USA.
Art Basel Cities, Buenos Aires, AR.
LISTE, with Galerie Sultana, Basel, CH.
Deshechas, duo exhibition with Ofelia Rodriguez, Instituto de Visión, Bogatá, CO.
Womenhouse, Monnaie de Paris, Paris, FR.
Performance!, curated by Bernard Blistène & Marcella Lista, le Tripostal, Lille, FR.
Everyday Reflections in Abstraction, SPACE, Irving, California.
Opening exhibition, Ladera Oeste, Guadalajara, Mexico.
Hausbesuch, Museum Ludwig, Köln, Germany.
¿Cómo te voy a olvidar?, Perrotin Galerie, Paris, FR.
Frieze Projects 2015, Frieze New York, United States.
Pia Camil, Pablo Helguera, Pedro Reyes, MIMA, Middlesbrough, United Kingdom.
Ir para volver, 12th Biennale of Cuenca, Cuenca, Ecuador.
Arroz Sem Sal, Silvia Cintra Gallery, Rio de Janeiro, Brazil. Curated by Kiki Mazzucchelli.
Draft Urbanism, Biennal of the Americas. Denver, Colorado Curated by Carson Chan.
No A Trio A, “En casa” project a La Casa Encendida, Madrid, Spain. Curated by Luisa Fuentes Guaza.
Horizontal, La Central gallery. Bogota, Colombia.
Popo de Paris, Sultana Gallery, Paris, France.
Arteba, curated by Pablo León de la Barra, Buenos Aires, Argentina.
Solo Projects Art-Rio, International Contemporary Art Fair of Rio de Janeiro, Brazil curated by Pablo León de la Barra and Julieta Gonzalez.
El Grito, Museo de Arte Contemporáneo de Castilla y León (MUSAC), Spain. Curated by Sofia Hernandez Chong Cuy and María Inés Rodríguez
Zona Maco Sur, Mexico City, Mexico. Curated by Adriano Pedrosa.
Proyectos Ultravioleta, Guatemala. Curated by Beatriz Lopez.
El Resplandor performance, Miami Art Basel, Creative Time and Tamayo Museum programming for Ocean Front, Miami, FL, USA.
Sin techo está pelón, curated by Michel Blancsubé. A selection of work from La Colección Jumex.* Universidad de Guanajuato, Mexico.
Draw, Museo de la Ciudad de México, An exhibition curated by Erik Foss, Curse Mackey and Miguel Calderón, Mexico City, Mexico.
El Resplandor, Museo Experimental Eco, Mexico City, Mexico.
MACO, Contemporary Art Fair, Mexico City, Mexico.
Artbo, La Central, Colombia.
There are false problems…, Proyectos Monclova, Monterrey, Mexico.
Resplandor, El 52 Gallery Space, Mexico City, Mexico.
[sic], OMR Gallery, Mexico City, Mexico.
Names and Places, Firstdraft Gallery, Sydney, Australia.
This is not an invitation, it’s a presentation, curated by Pia Camil in collaboration with Stefan Brüggemann, El 52 Gallery Space, Mexico City, Mexico. Curated by Pia Camil and Stefan Brüggemann.
Illumination, an Interval project, Manchester, UK.
Lanzarote, Keith Talent Gallery, London, UK.
Post Graduate Degree Show, Slade School of Fine Art, London, UK.
Woburn Studios, Slade School of Fine Art, London, UK.
Croyances Quotidiennes, Palais Université Robert Schuman, Strasbourg, France.*
Kate Moss Drawings, Galería de Arte Mexicano, in collaboration with artist Stefan Brüggemann, Mexico City, Mexico. In collaboration with Stefan Brüggemann.
Taenu, TactileBOSCH Gallery, Cardiff, Wales, UK.
Interim Show, Slade School of Fine Art, London, UK.
Eventos Sociales, Mexican Art Gallery, Mexico City, Mexico.
Trace: Recent Works From Slade Post-Graduates, The Slade School of Fine Art, London, UK.
Turtle, Woburn Studios, The Slade School of Fine Art, London, UK.
Fire and Ice, drawing study, Nina Menocal Gallery, Mexico City, Mexico.
MACO Art Fair, Nina Menocal Gallery Stand, Mexico City, Mexico.
Cinco: A Multi-Media Exhibition From Five Contemporary Mexican Artists, Black Book Magazine, New York City, NY, USA.
To Challenge Death by Holding Your Breath Underwater, Proyectos Monclova Gallery, Mexico City, Mexico.
Morir de Amor, MUCA, UNAM (National Autonomous University Museum of Contemporary Art), Mexico City, Mexico.*
El Sueño de la Razón, Collaborative drawing with Andrea Crews for Localismos, Mexico City, Mexico.
San Valentín Señorial, audio installation, Hotel Señorial, Mexico City, Mexico.
Painting show, Woods Gerry Gallery, Providence, Rhode Island, USA.
Fresh (Wall drawings), Carr Haus Gallery, Providence, Rhode Island, USA.
YIA (Young International Artists), Centro Culturale Rialto Santo Ambrogio, Rome, Italy.
Winter and Spring Exhibitions, Palazzo Cenci, Rome, Italy.
Monteverdi Tuscany, Castiglioncello de Trinoro, Italy.
Sin techo esta pelon, Coleccion Jumex exhibition catalogue, 2010.
Creencias Cotidianas, Exhibition catalogue, 2008.
Morir de Amor, Exhibition catalogue, 2005.
Nominated for The Paul Hamlyn Award, London.
European Honours Program, Palazzo Cenci, Rome, Italy.
Tuesday to Thursday 10.00 – 19.00
Friday 10.00 – 16.00
Saturday 11.00 – 16.00
Córdoba 100, Roma Norte
+ 52 55 5207 1080
+ 52 55 5511 1179