Pia Camil

Fragmento 0, 2014

Cerámica esmaltada de baja temperatura

3.74 x 7.99 x 5.98 in

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Lover's Rainbow, 2019

Painted rebar

196 7/8 x 511 3/4 in

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Estudio nido 2,

Steel, concrete, recycled newspaper pulp, pigment, inset newspaper photographs and plywood base

105 x 81 x 67 in

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Be Happy, 2023

Oil crayons on Indian handmade paper from recycled clothes

Unframed: 39 5/8 x 27 1/8 in Framed: 51 1/8 x 38 1/4 x 2 3/4 in

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Plant a seed, 2022

Ink, oil stick and clay on paper

Unframed: 25 3/4 x 36 7/8 in Framed: 42 1/2 x 31 1/8 x 2 1/4 in

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Multi-Organism (Red), 2022

Dyed second-hand jeans

141 3/4 x 59 x 59 in

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Azure Study No. 2 (Anemone), 2022

Bleached denim

128 x 100 x 4.5 cm

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Vicky’s Blue Jeans Hammock, 2018

Textile

63 3/4 x 103 1/8 in

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Deshecha en piel, 2017

Tela teñida

240 x 170 cm

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Exposiciones en la galería
→

Shake Your Body

2022

LagoAlgo

COLECTIVA

Form Follows Energy

2022

LagoAlgo

COLECTIVA

Ríe ahora, llora después

2020

OMR

COLECTIVA

Entrecortinas: abre, jala, corre

2014

OMR

COLECTIVA

Exposiciones y proyectos
→

CV COMPLETO ↓

Fuego Amigo

2024

Museo de Arte Carrillo Gil

COLLECTIVE

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Fuego Amigo

Museo de Arte Carrillo Gil

2024

The Museo de Arte Carrillo Gil presents “Fuego amigo“, Pia Camil’s first survey exhibition at a Mexican institution. The exhibition presents works from 2001 to the present, spanning various media from drawing and sculpture to installation and performance.

Fuego amigo proposes a circular revision without a beginning. The main structure is held together by the remains of her studio’s fire emulating the alchemic practice of lead transforming into gold. Prior to installation, the museum gallery was being renovated and the ‘bare’ plywood walls appeared behind the white walls. It was then decided to stop the remodeling and reveal what lies beneath, exposing the process of transformation. The work therefore is showcased on bare walls and self-standing modules made from repurposed and burnt wood.

Pia Camil’s work emerges from engaging in forms of commerce that operate outside the confines of capitalism. This process is nourished by the observation of the social and economic failure of the neo-colonial model, instrumentalized by trade agreements and the unrestrained forces of the free market. The artist draws inspiration from the heterogeneous peri-capitalist models that surface from necessity and precariousness. She locates and exposes them, without romanticism, to highlight the hardships and to propose alternate possibilities that communities have found. In this way, she practices a form of urban anthropology.

A few years ago, Camil and her family relocated from Mexico City to a semi-rural community in Mexico – seeking another way of life, one that diverged from the discourses, rules and productivity-focused schedules imposed by capitalism in every major city.

– Mauricio Marcin, Curator

No items found.

Beautiful Repair

2023

Copenhagen Contemporary, Denmark

COLLECTIVE

Beautiful Repair

Copenhagen Contemporary, Denmark

2023

No items found.

Colección Jumex: Everything Gets Lighter

2023

Museo Jumex, Mexico City, Mexico

COLLECTIVE

Colección Jumex: Everything Gets Lighter

Museo Jumex, Mexico City, Mexico

2023

No items found.

Fade into Black

2021

Museo Tamayo, Mexico City, Mexico

COLLECTIVE

Fade into Black

Museo Tamayo, Mexico City, Mexico

2021

No items found.

Otrxs Mundxs

2020

Museo Tamayo, Mexico City, Mexico

COLLECTIVE

Otrxs Mundxs

Museo Tamayo, Mexico City, Mexico

2020

No items found.

Here Comes The Sun

2020

Guggenheim, New York, USA

COLLECTIVE

Here Comes The Sun

Guggenheim, New York, USA

2020

No items found.

Bara, Bara, Bara

2017

Dallas Contemporary, USA

COLLECTIVE

Bara, Bara, Bara

Dallas Contemporary, USA

2017

No items found.

A Pot for a Latch

2016

New Museum, New York, USA

COLLECTIVE

A Pot for a Latch

New Museum, New York, USA

2016

No items found.

Selected press →

Pia Camil’s Art About Global Commerce Made Her a Star. Now, She’s Turning Her Focus to Another Kind of Exchange—Between Humans and Other Species

POR Jennifer Piejko

2022

art net ↗

PDF ↘

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